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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">rusjel</journal-id><journal-title-group><journal-title xml:lang="ru">Russian Journal of Economics and Law</journal-title><trans-title-group xml:lang="en"><trans-title>Russian Journal of Economics and Law</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2782-2923</issn><publisher><publisher-name>"TCE "Taglimat"" Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.21202/2782-2923.2022.1.122-135</article-id><article-id custom-type="edn" pub-id-type="custom">QNGVUI</article-id><article-id custom-type="elpub" pub-id-type="custom">rusjel-2220</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ДИАЛЕКТИКА ПРОТИВОДЕЙСТВИЯ КОРРУПЦИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>THE DIALECTICS OF ANTI-CORRUPTION</subject></subj-group></article-categories><title-group><article-title>Роль кинематографа в проведении антикоррупционного просвещения: мировой опыт</article-title><trans-title-group xml:lang="en"><trans-title>Role of Cinematography in Anticorruption Enlightenment: Global Experience</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Мельникова</surname><given-names>А. Л.</given-names></name><name name-style="western" xml:lang="en"><surname>Melnikova</surname><given-names>A. L.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Мельникова Анна Леонидовна, эксперт Проектно-учебной лаборатории антикоррупционной политики</p><p>Web of Science Researcher ID: <ext-link xlink:href="http://www.researcherid.com/rid/ADS-6406-2022" ext-link-type="uri">http://www.researcherid.com/rid/ADS-6406-2022</ext-link></p><p>г. Москва</p></bio><bio xml:lang="en"><p>Anna L. Melnikova, expert of the Project-academic laboratory for anticorruption policy</p><p>Web of Science Researcher ID: <ext-link xlink:href="http://www.researcherid.com/rid/ADS-6406-2022" ext-link-type="uri">http://www.researcherid.com/rid/ADS-6406-2022</ext-link></p><p>Moscow</p></bio><email xlink:type="simple">abatalina@hse.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-4933-8294</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Мицул</surname><given-names>А. С.</given-names></name><name name-style="western" xml:lang="en"><surname>Mitsul</surname><given-names>A. S.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Мицул Анастасия Сергеевна, независимый исследователь</p><p>Web of Science Researcher ID: <ext-link xlink:href="http://www.researcherid.com/rid/AEQ-8997-2022" ext-link-type="uri">http://www.researcherid.com/rid/AEQ-8997-2022</ext-link></p><p>г. Москва</p></bio><bio xml:lang="en"><p>Anastasia S. Mitsul, independent researcher</p><p>Web of Science Researcher ID: <ext-link xlink:href="http://www.researcherid.com/rid/AEQ-8997-2022" ext-link-type="uri">http://www.researcherid.com/rid/AEQ-8997-2022</ext-link></p><p>Moscow</p></bio><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Национальный исследовательский университет «Высшая школа экономики»</institution><country>Россия</country></aff><aff xml:lang="en"><institution>National Research University “Higher School of Economics”</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2022</year></pub-date><pub-date pub-type="epub"><day>18</day><month>03</month><year>2022</year></pub-date><volume>16</volume><issue>1</issue><fpage>122</fpage><lpage>135</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Мельникова А.Л., Мицул А.С., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Мельникова А.Л., Мицул А.С.</copyright-holder><copyright-holder xml:lang="en">Melnikova A.L., Mitsul A.S.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.rusjel.ru/jour/article/view/2220">https://www.rusjel.ru/jour/article/view/2220</self-uri><abstract><sec><title>Цель</title><p>Цель: проведение комплексного междисциплинарного правового исследования роли кинематографа в антикоррупционном просвещении граждан.</p></sec><sec><title>Методы</title><p>Методы: структурно-функциональный подход к трактовке общества как связи подсистем, в рамках которого кинематограф выступает частью культурной подсистемы, а антикоррупционная политика относится одновременно к общественной подсистеме (просвещение) и государственной подсистеме (политика). Выбранный подход обуславливает набор конкретных методов исследования, таких как критический анализ теоретической литературы по вопросам коррупционного поведения и по взаимоотношению зрителя и продукта кинематографа в совокупности с эмпирическим исследованием различных кейсов в виде киноработ и кинопроектов, посвященных антикоррупционной тематике.</p></sec><sec><title>Результаты</title><p>Результаты: в ходе анализа механизмов выстраивания взаимоотношений зрителя и кино были определены возможности кино оказывать долгосрочное влияние на зрителя, обусловленное не только техническими возможностями кинематографа, но и благодаря психобиологическим механизмам человека. На примере конкретных проектов была доказана и обоснована целесообразность использования кинематографа в качестве инструмента антикоррупционного просвещения. В частности, если в сюжет художественного фильма заложить нужные посылы, то благодаря зеркальным нейронам и механизмам додумывания человека они могут служить образовательным целям и демонстрировать последствия коррупционного поведения. Важно не запугивать зрителей ужасами жизни с коррупцией, а показывать положительный выход и позитивные сценарии жизни без нее. Это может привести к повышению гражданской активности, росту интереса к обсуждаемой проблеме, а также к повышению рейтингов доверия к государству.</p></sec><sec><title>Научная новизна</title><p>Научная новизна: в статье доказывается нецелесообразность оценки кинематографа исключительно как формы развлечения, а также впервые разбираются примеры практического применения кинематографа для проведения именно антикоррупционной политики и просвещения в разрезе сравнения подходов в разных странах.</p></sec><sec><title>Практическая значимость</title><p>Практическая значимость: основные выводы статьи могут быть использованы в научной, педагогической и практической деятельности при разработке долгосрочных стратегий и программ антикоррупционного просвещения, а также в рамках кинематографической деятельности для оценки долгосрочных последствий демонстрируемого кинонарратива.</p></sec></abstract><trans-abstract xml:lang="en"><sec><title>Objective</title><p>Objective: to conduct a comprehensive interdisciplinary legal study of the role of cinematography in anti-corruption enlightenment of citizens.</p></sec><sec><title>Methods</title><p>Methods: a structural and functional approach to the interpretation of society as a connection of subsystems, in which cinematography is a part of the cultural subsystem, while anti-corruption policy refers simultaneously to the public subsystem (enlightenment) and the state subsystem (politics). The chosen approach determines a set of specific research methods, such as a critical analysis of theoretical literature on corruption behavior and on the relationship between a viewer and a cinematography product in conjunction with an empirical study of various cases in the form of films and film projects devoted to anti-corruption topics.</p></sec><sec><title>Results</title><p>Results: the analysis of the mechanisms of building the relationships between a viewer and cinematography allowed identifying the possibilities of cinematography to have a long-term impact on a viewer, due not only to the technical capabilities of cinematography, but also to the psychobiological mechanisms of man. By the example of specific projects, the expediency of using cinema as an anti-corruption enlightenment tool was proved and justified. In particular, if the relevant messages are laid in the plot of a feature film, then, thanks to mirror neurons and human thinking mechanisms, they can serve educational purposes and demonstrate the consequences of corrupt behavior. It is important not to intimidate the audience with the horrors of living with corruption, but to show a positive way out and scenarios of living without it. This can lead to an increase in civic engagement, to an increase in interest in the issue under discussion, as well as to an increase in ratings of trust in the state.</p></sec><sec><title>Scientific novelty</title><p>Scientific novelty: the article proves the inexpediency of evaluating cinema solely as a form of entertainment, and for the first time examines examples of the practical application of cinema for anti-corruption policy and enlightenment by comparing approaches used in different countries.</p></sec><sec><title>Practical significance</title><p>Practical significance: the main conclusions of the article can be used in scientific, pedagogical and practical activities when developing long-term strategies and programs of anti-corruption enlightenment, as well as in the framework of cinematographic activities to assess the long-term consequences of the demonstrated film narrative.</p></sec></trans-abstract><kwd-group xml:lang="ru"><kwd>антикоррупционное просвещение</kwd><kwd>коррупция</kwd><kwd>восприятие кинематографа</kwd><kwd>кино</kwd><kwd>теория восприятия</kwd><kwd>поведенческая теория</kwd><kwd>антикоррупционное мировоззрение</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Anti-corruption enlightenment</kwd><kwd>Corruption</kwd><kwd>Perception of cinema</kwd><kwd>Cinematography</kwd><kwd>Perception theory</kwd><kwd>Behavioral theory</kwd><kwd>Anti-corruption worldview</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Desbarats F. 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